28 Apr 2013

Getting to Know Your Curious Bedfellow: Mental Health Awareness Week


Mental health is a curious bedfellow. Look around the room you’re in now or think about your office or family reunion or your main group of friends. Then consider that one in four people (in the UK) will experience a mental health problem in their lifetime. But we still don’t talk about it. We skirt the issue and damp it down and when the ‘How are you?’ gun is fired, a well-timed ‘I’m fine’ dodges the bullet.

The sad truth is that people still don’t understand mental health problems, or, and this is sadder, are unwilling—or scared—to be educated about mental health. I can only speak from personal experiences, but I’ve had a lot of them and they’ve seen me brushed aside as being willingly unsocial or deliberately miserable.

A recent example that frequently returns to roll around my empty head: I tried to explain not wanting to join in a night out by—half jokingly (to ease the awkwardness), but ultimately seriously—giving the explanation, ‘Just crippling depression.’ The G-chatted response to this was: ‘No. Parties are fun.’

It’s disheartening, distressing, despairing that this was an appropriate reaction to have. Yes, the rational part of my being completely understands that parties are supposed to be fun, but here’s the thing: this is not a conscious decision—to be wary of everything that society tells us is ‘fun’ and which, if you participate, means you are a good person and subsequently likeable and worthy of friendship, love and happiness.

Okay, there is that subset of society looking down on things like ‘fun’ and drinking and partying and general merrymaking, perhaps because they consider themselves above such trivial pursuits. However, I’d put money on the majority of people with mental health problems not consciously (and ‘consciously’ being the operative word) falling into this group. But when you are prone to such crippling bouts of self-hated, when the mirror mocks and your insides strangle and the inner voice whispers, ‘You are a dreadful person,’ how are you supposed to have ‘fun.’ As my spirit animal Morrissey says, ‘how dearly I’d love to get carried away.’

This seems like an easy concept to grasp, but still people still don’t understand mental health problems. That’s why Hyundai can genuinely think that it’s a good idea to (this year, that is. As in 2013) try to persuade people to buy their product by releasing an advert depicting a man failing to commit suicide because their precious fucking cars no longer contain emissions that can help you with that pesky being alive problem you’ve got.

It was pulled pretty hastily and they apologised (accepting no responsibility, of course), but while they tried their best to cover up the whole queasy affair—videos have been popping up and quickly disappearing all over—the fact remains that someone out there actually signed off on that. I managed to catch the video here (though it has since been deleted) and the man’s final trudge back into his house, having finally given up, is quite clearly played for laughs in the most grotesque way.

People still don’t understand mental health problems. For as long as I’ve been cognisant of having a mind dipped in squalor and sadness, there have been campaigns to bring about a better understanding of individuals with issues. I’ve seen these campaigns creep from the shadows—when once I had to actively trawl the internet looking for advice, now adverts urging people to talk about their mental health issues are shown on national television. So why do we sit in uncomfortable silence when the 'Time to Change' campaign appears on the television? Why is there still such an almighty stigma around broaching the subject?


One possible answer is that we are the product of a modern life which has seen us retreat behind screens. We communicate through emails, chat, texts, and social media. We argue over who has to phone for a taxi or make that terrifying call for a takeaway and we pray the hairdresser doesn’t ask up about our holidays because we cannot bear to make small talk with a human being. We pretend to be texting when we’re alone and waiting for somebody. We wander around, plugged into headphones and when we get together we drink and we drink and we ‘I don’t want to talk about it’ and we drink some more in case we ruin the mood. We are content with a sad face emoticon when life gets tough.

Perhaps this is not reminiscent of your life. Perhaps your support network is great and you're thinking ‘Do we really need to talk about mental health?’ We’re all getting by, aren’t we? We soldier on and we battle through difficult times and we still get stuff done.

And when we don’t—when someone calls it a day and throws in the towel and makes us late for work because the tube stopped and we have to spend a few extra minutes, nose pressed against someone who smells of BO and regret; or the road was closed and we have to go the long way round which adds five minutes to our journey so we miss the beginning of Pointless; or they didn’t show up for work because they can neither physically nor mentally muster the gusto to haul their heavy, tired bodies from bed, people tut and ill-informed millionaire footballers tweet about how ‘selfish’ it is—when this happens it causes a momentary ripple in our mind’s pool, but ultimately we sigh, we shrug, and we forget.

Of course, this kind of mentality could be applied to any disease, not just mental illnesses. Occasionally your well-meaning Facebook friends will talk about turning the site pink for breast cancer, and I’ve certainly been guilty of being a Facebook activist ('factivist'?) and posting one of those trite images that do the rounds when Mental Health Awareness week rolls along (normally a sad looking person looking morose in the best possible light—for more on this, see David Horvitz’s Sad, Depressed, People).

But nobody would dream of telling a cancer patient to just pull themselves together. Nobody tells someone with a broken leg to simply think it better. Nobody implies that your emphysema will magically disappear if you just try a little harder—these are where the injustices in discourse lie.

That’s why these campaigns are important. Because even though organisations are doing their best to educate the public about this sort of thing, mental illness, to the point of suicide no less, is still being wrapped up into a 30-second commercial, as though we’ll all laugh about it and then troll along to the nearest car dealership and hand over our hard-earned cash.

It’s Mental Health Awareness Week from 13–19 May. This year there's a focus on physical activity and exercise and the effect they have on mental wellbeing. There's no denying that sweet, sweet rush of endorphins that's rewarded after you've hauled ass to the gym, or on a run, or to a dance class, or boxing, or whatever your exercise of choice. But, much like that tango class or another flailing metaphor, it takes two to prick that pompous storm cloud and dealing alone isn't healthy. There ought to be a happy medium when it comes to bearing the load, which is why talking to someone is important, but it's never an easy chat to start.

Handily, see me Scotland's recent campaign strips the difficulty away to two words: 'Just Listen.' Inspired primarily by their research showing that people find it difficult to strike up the conversation for fear of getting it 'wrong,' there are tips on how to get started, how the chat might go, and what to do if it all starts to go a bit arse over elbow, all the while making it clear that it doesn't have to be a big deal.

It's a fascinating campaign because, in typically Scottish style, there's no bullshit. There's this delicious feeling permeating the whole campaign that feels as though if they could say 'Don't be a fanny about it,' they would. But that's probably frowned upon. If there's a less than cheesy way of ending this piece, I can't think of it, which is sad in itself and further perpetuates the stereotype that everything to do with genuine emotion is cheesy and embarrassing.

But gonnae no be that guy. If you talk to someone now, you could change a life.


25 Apr 2013

iPod Philosophy: Anomie as Explained by Pop Music

The postmodern person values hygiene, quiet, civilized manners, and aesthetic niceties that our ancestors could scarcely imagine. This desire for things that used to be considered luxuries, coupled with irritation at the status quo, leads to innovation in all fields—one invents new ideas and technology only when one is dissatisfied, which is to say, anomic. Yet each new achievement in ideas or material goods leads eventually to ennui and a renewed desire to innovate. For Durkheim, this process is inexorable.

—Stjepan Gabriel Mestrovic, The Coming Fin de Siècle (London: Routledge, 1991), 205
In this previous post, I attempted to wade my way through the concept of ennui with a little help from my iPod. This time around, the concept up for dissection by pop music is ennui’s bedfellow, anomie. Often mentioned in the same philosophical breath, anomie has come to stand for the more active, angry side of ennui—which is to say, it is equally attributed to the modern condition and it is an affect or emotion that is equally hard to grasp due to the overarching yet hard to discern shadow it sneakily casts over alienated urbanites. But the shades annomie carries are slightly more sinister than the ones ennui does.

Most notably associated with the nineteenth-century sociologist Émile Durkheim (who identifies anomie as a cause of suicide. Yikes!), anomie is succinctly defined by the trusty Oxford Dictionary as a “lack of the usual social or ethical standards in an individual or group.” Rather than indicating some sort of society comprised completely of sociopaths, anomie is a condition caused, like ennui, by both the physical and social structures of modernity—that is to say, high-rises and robot cashiers.

In trying to understand the way anomie differs from ennui, it’s become apparent the task is a somewhat precarious one. The motivation to separate the two clearly has more to do with falling back on humankind’s love of binaries—boy/girl, male/female, hot/cold, up/down, good/evil, light/dark—than it necessarily does with there being any sort of opposition between the two concepts.

However, while I’m far from certain that discerning between ennui and anomie isn’t splitting hairs, the vivid depiction of anomie once offered by one of my professors is reason enough to delve in.

“Anomie,” he said in his professor voice, “is epitomized in the case of the opening of the first indoor shopping arcade in Paris. It is told,” he continued, “that the excitement for this scion of consumerism was so great that as they waited for the doors to open, women spontaneously orgasmed.”** Perhaps the best contemporary equivalent is found in those horrific Black Friday stories of people being trampled to death as crazed consumers stampede their way into Wal-Marts. A lack of the usual ethical standards, indeed.

(**note: not verbatim. Also, this particular professor was a pop culture specialist and of the easy breezy variety. However, it is a well-known fact that upon recollection, all professors look and sound like Ben Stein.)

Much more than ennui—which sees First Worlders listlessly lazing around their easy peasy lives, drowning in the stagnant waters of a completely effortless and thus unfulfilling life—anomie seems wrapped up in the darker, more sinister corners of modern existence. That is, at least so far as I can tell after trying to parse out the anomic from the ennuyed attitudes contained in my iPod.

Rather than two sides of the same coin, it’s more like anomie and ennui are two sides of the same Mobius Strip. But ennui is weepy while anomie is horny. Ennui longs for a way to reconnect to the world; anomie does not give a fuck—not about connection, not about you. Ennui sleeps because there’s nothing else to do. Anomie casually throws bottles of expensive champagne off the top of the Eiffel Tower, because it can.

And so, on that note, I present six songs to help develop the bratty, fatalistic side of your isolated, listless, and dissatisfied modern self.
MGMT, "Time to Pretend" (Oracular Spectacular, 2008)
Key lyrics:
I'm feelin' rough I'm feelin' raw I'm in the prime of my life
Let's make some music make some money find some models for wives
I'll move to Paris, shoot some heroin and fuck with the stars
You man the island and the cocaine and the elegant cars
This is our decision to live fast and die young.
We've got the vision, now let's have some fun.
Yeah it's overwhelming
But what else can we do?
Get jobs in offices and wake up for the morning commute?
Kurt Vile, "Society Is My Friend" (Smoke Ring for My Halo, 2011)
Key lyrics:
Society is all around
Aw, hear the beautiful sound Of all the high-pitched squeals
Ecstatic brilliance at its finest
That’s my friend
Society is all around
It takes me down
Society is my friend
He makes me lie down
In a cool blood bath
Dum Dum Girls, "Coming Down" (Only in Dreams, 2011)
Key lyrics:
I take as much as I can get
I don't take any regret
I close my eyes to conjure up something
But it's just a faint taste in my mouth
I think I'm coming down
I think I'm coming down
Lana Del Rey, "Born to Die" (Born to Die, 2012)
Key lyrics:
The road is long, we carry on
Try to have fun in the meantime
. . .
Cause you and I
We were born to die
Frank Ocean ft. Earl Sweatshirt, "Super Rich Kids" (Channel Orange, 2012)
Key lyrics:
Too many bottles of this wine we can't pronounce
Too many bowls of that green, no lucky charms
The maids come around too much
Parents ain't around enough
Too many joy rides in daddy's jaguar
Too many white lies and white lines
Super rich kids with nothing but loose ends
Super rich kids with nothing but fake friends
. . .
Close your eyes for what you can't imagine, we are the xany gnashing
Caddy smashing, bratty ass, he mad, he snatched his daddy's Jag
And used the shit for batting practice, adamant and he thrashing
Purchasing crappy grams with half the hand of cash you handed
Panicking, patch me up, Pappy done latch keyed us
Toying with Raggy Anns and mammy done had enough
Brash as fuck, breaching all these aqueducts; don't believe us
Treat us like we can't erupt, yup
(As appropriately set to the scenes of Rich Kids of Instagram, natch)
Jens Lekman, "Black Cab" (Oh You're So Silent Jens, 2005)
Key lyrics:
Oh no, god damn I missed the last tram
I killed a party again
God damn, god damn
I wanna sleep in my bed
I wanna clean up my head
Don't wanna look this dead
Don't wanna feel this dread
You don't know anything
So don't ask me questions
You don't know anything
So please don't ask me any questions
You don't know anything
So don't ask me questions
Just turn the music up
And keep your mouth shut
And last but not least, a very important bonus track that effortlessly walks the ennui/anomie Mobius Strip, summing up the entire investigation in less than five minutes
Shania Twain, "That Don't Impress Me Much" (Come On Over, 1997)
Key lyrics:
Oh-oo-oh, you think you're special
Oh-oo-oh, you think you're something else
Okay—so you're Brad Pitt
That don't impress me much

18 Apr 2013

Paul McCartney—An Exercise in Twee



Oh, Paul McCartney. Ol’ Macca. Groovy Sir Saccharine. Why you gotta be such an easy target with your harmlessness and general contentedness with your lot? The pootling through life, daring to appear at high profile events where you sing your biggest and best known songs and positively force massive crowds to sing along (perhaps at knifepoint, who knows? It’s been ten years since I saw him and things might have changed). ‘Na na na nanana naaaaaaing’ away like some kind of national treasure. Can’t you give us all a break from being so popular? Why do you never sing ‘From a Lover to a Friend’ instead? People seem bored with the classics. Your generic inoffensiveness is offending us, Macca. Why are you so happy? Why do you make everyone so angry?

The above views are not my own. I have many positive emotions firing in the direction of good old Paul. But my god, some people out there don’t like him. I just Googled ‘Paul McCartney is’ and second only to ‘Paul McCartney is dead’ (ah, that old chestnut) in the autocomplete drop down menu is ‘Paul McCartney is a knob.’ Clicking on that yields about 14 million results. The people who don’t like him really don’t like him; they despise and mock with a venom usually reserved for One Direction or whoever the pimply hyperboles of the day are. When they’re not disliking him, they’re unaware of his very existence—the plethora of ‘Who is Paul McCartney?’ tweets during his 2012 Grammys performance highlighted a very Gen Z level of musical ignorance and apathy.

I can understand why people aren’t fans. It’s the twee, isn’t it? There’s a danger in ageing popstars that they become stereotypes of their former selves and our collective consciences have created a mawkish, sagging, be-hair dyed, double-thumbs-up-flashing, ‘Spitting Images’ puppet version of the ‘nice’ one of The Beatles. And there’s nothing people hate more than ‘nice’. Truth is, you can write as many classic songs in your 20s as you like, but if you’re not still churning them out when you’re 70, people get disillusioned. And when your career made the remarkable musical journey from ‘Please Please Please Me’ to ‘Abbey Road’ from age 23–30, the next 40 years are going to be hard to fill.

Anyway, it’s been reported all over the place that McCartney has written a new album, some tracks of which were produced by Mark Ronson, who is saying that there’s a ‘post Bonde de Role, baile funk-Moombahton,’ which sounds interesting and reminiscent of the more adventurous side of McCartney. Experimentation and evolution have been hallmarks of his career over the decades: each new Beatles album is so clearly distinct from the other and Paul well-known for being the driving force behind the ever-changing Beatles sound, to the annoyance of the rest of the band and the eventual dissolution of the group. Consider The Fireman: an eclectic duo comprising McCartney and Youth, peddling improvised ambient electronica and experimental rock. What about Liverpool Oratorio, an autobiographical foray into classical music? Perhaps this article should be about all the really good, groundbreaking, unique songs McCartney has penned, in a misguided attempt to persuade naysayers that there’s more to him than ‘Yesterday’ and ‘Hey Jude.’ But it’s not, because that can be written another day, and I want to write about the ‘nice’ and the ‘normal’ and the ‘cheesy’ and to celebrate/poke gentle fun at the things about Paul McCartney that makes him so detested by so many. Holla.

Here are Macca’s top five most unabashedly twee moments.


We All Stand Together



Aka 'The Frog Song' or 'The Frog Chorus.' This piece of bellybutton lint was written for the animated kids' film 'Rupert and the Frog Song,' for which McCartney also voiced Rupert, because he's Paul McCartney and why not?

Sample lyric: 'Play the game, fight the fight / but what's the point on a beautiful night? / Arm in arm, hand in hand / we all stand together.'


When I’m 64



An overly sentimental view of old age, originally written by a 16-year-old McCartney, but featured on 1967's Sgt Pepper's Lonely Heart's Club Band. The preppy, upbeat tune is McCartney set to music and lends itself perfectly to a brass band. In reality, when McCartney was 64, he was recently separated from his second wife, which just makes the whole idealistic dreaminess of the song seem a bit sad.

Sample lyric: 'I could be handy mending a fuse / when your lights have gone / you could knit a sweater by the fireside / Sunday mornings go for a ride.'


My Love



My friend's mum once described this song as 'like wading through molasses,' summing up the 'My Love' experience in a way nobody has yet bettered. Monica and Chandler from Friends walked down the aisle to an instrumental version, saying everything you need to know about the kind of person who finds this in any way more genuinely moving than Wings' far more raw and honest 'Maybe I'm Amazed.'

Sample lyric: 'And when I go away / I know my heart can stay with my love / it's understood / it's in the hands of my love / and my love does it good.'


Wonderful Christmastime



You'd think it would be hard to stand out in the twee stakes at Christmas, but this song is candy cane, diabetes-inducing, post sugar high, sickeningly sweet. It's particularly fun to compare this to John Lennon's Christmas offering, 'Happy Xmas (War is Over),' if you ever wanted to compare the two men's utterly opposing world views.

Sample lyric: 'The mood is right / the spirit's up / we're here tonight / and that's enough / simply having a wonderful Christmas time.'


Silly Love Songs



It's hard to imagine being as famous as McCartney and having your entire musical backlog as equally lauded/hated without becoming fairly self-aware. 'Silly Love Songs' from 1975 album Wings at the Speed of Sound is a tongue in cheek response to his critics, which invites listeners to join in mutual awareness that a harmless, throwaway ditty isn't the end of the world.

Sample lyric: 'You'd think that people would have had enough of silly love songs / but I look around me and I see it isn't so / some people wanna fill the world with silly love songs / and what's wrong with that?'

14 Apr 2013

iPod Philosophy: Ennui as Explained by Pop Music

The phrase “ennui” pops up everywhere from the poetry of Sylvia Plath, to the music of Lou Reed, to the philosophy of Jean-Paul Sartre, but I’ve always found it to be a rather tricky term (not least of all to pronounce). Directly translated, it’s French for “boredom,” but ennui is a much more nuanced cocktail, comprising boredom, listlessness, disinterest, indifference, melancholy, blasé, despondency, and other words your thesaurus might provide.
In the post-industrial, Western world, even those that have never come across the term thanks to old Lou have still likely come across the emotion. Why? Not everyone is a sad sap depresso like you, you say? Ah, but it is so much more than that: it is a firmly entrenched facet of modern life, the modern condition.
And what is it to be modern if not to be utterly bored almost all of the time? We’ve all felt annoyance, despair, and existentialist dread at the tiresome, bothersome boredom of modern life—and with no small amount of guilt either. For while others starve, who are we (“we” being dwellers of modernity) to complain of boredom; while some people spend their entire lives in concentration camps, who are we to express discontent at the extreme content of our plush Western lives.
Ah, well. Therein lies the clinch.
Ennui arises from stagnation—life turned to a flobby, sighing mass. Spurned on by such modern first-world features as overall ease of staying alive (hello, microwaveable chips that somehow manage to be crisp), lack of engagement (what up, electronically delivered seven-series television box set), and general lack of purpose (don’t be coy, society that’s swell enough not to elicit uprisings), ennui is one of modernity’s defining emotions—or as the academics say, affects.
It’s hard to put a pin in ennui: its non-descript malaise makes it a nice light gauzy pall that’s detectable, yes, but only just. Like one of those white nets that keeps all the horrible bugs out your bed whilst on safari in Kenya. It produces a sense of detachment from society, a lack of engagement with the sensible world, and distance from even one’s own internal world.
By all accounts, this is a product of modernity. Philosophers often point a wagging finger at the social isolation of cities—“living together alone,” and whatnot—but even in this hyperconnected world, the malaise described by the Romantics in the wake of the Industrial Revolution persists. Ennui is, most definitely, what the kids would call a #FirstWorldProblem. More correctly, a #FirstWorldandMiddletoUpperClassProblem. Its progenitor is industrial, economic, and technological progress so great it renders more or less redundant so much of what, for so long, it meant to be alive—the inexorable struggle to exist. These days, our Wall-E hovercrafts seem but a step away. (For the gargantuan, chair-bound future humans of Wall-E no doubt suffer from severe ennui. They are, perhaps, its poster children.)
How does the modern condition’s lack of engagement and excitement manifest today? Well, for that, we turn to the poets. If the above is an exercise in understanding, the next bit is a case of expression. These songs might not say “ennui,” but by golly, they mean it (I think?).
And so I hereby present the collected malaise of a handful of artists in a six-entry list that’s entirely digestible by the tiny attention spans of even today’s ennuyed masses.
Ty Segall, Goodbye Bread (Goodbye Bread, 2012)
Key lyrics:
‘Cause who plays the game that we all play
Won’t you play me today?
And who sings the song when we’re gone?
Won’t you sing along?

Wintersleep, Miasmal Smoke and the Yellow Bellied Freaks (Welcome to the Night Sky, 2007)
Key lyrics:
Donated her eyes
Donated her eyes to feel her actual senses
Oh sweet sixteen
To feel what life was like
Donated her eyes to feel life as she imagined it

Arcade Fire, "We Used to Wait" (The Suburbs, 2010)
Key lyrics:
I used to write
I used to write letters
I used to sign my name
I used to sleep at night
Before the flashing lights settled deep in my brain
. . .
It seems strange
How we used to wait for letters to arrive
But what’s stranger still
Is how something so small can keep you alive

Dan Mangan, "Post-War Blues" (Oh Fortune, 2011)
Key lyrics:
Let's start a war for the kids
A purpose for which to unite
Make them some words they can mince
What they don't know, they won't mind
. . .
There's the deepest sleep in my life
From which i am slowly coming to
And every morning, i wait for the news
Oh this is, this is post-war blues

Make me a means to an end
Oh make me an ending in sight
Make me insightful again
What I can’t see, I can’t fight

Fleet Foxes, Helplessness Blues (Helplessness Blues, 2011)
Key lyrics:
I was raised up believing I was somehow unique
Like a snowflake distinct among snowflakes
Unique in each way you can see
And now after some thinking, I'd say I'd rather be
A functioning cog in some great machinery serving something beyond me

British Sea Power, "Living Is So Easy" (Valhalla Dancehall, 2011)
Key lyrics:
Living is so easy
(Living is so easy)
Shopping is so easy
(Shopping is so easy)
Dying is so easy
(Dying is so easy)
All of it is easy
(All of it is easy)